SPOILERS for the entirety of WandaVision, episodes 1-9
The mission statement of WandaVision, we now see with 20/20 hindsight, was to take Wanda through her stages of grieving, from denial to acceptance. The finale accomplished that mission. Wanda released the hex, and with it, her conjured husband, children and their domestic sitcom life together where nothing truly bad happens. There was another more hidden mission about Wanda’s new place in the Marvel Cinematic Universe: she’s a supervillain now. This show doesn’t have a sitcom ending.
The best supervillains (like Magneto, who has absolutely no role in WandaVision) have points-of-view with which we can empathize, if not sympathize. (Though I can see the “Wanda Was Right” t-shirts already.) We journeyed with Wanda through her loss and grief. But we also saw her inflict horrifying trauma on an entire town, and devise a cruel punishment for Agatha after beating her. Both things seem like plot elements that will rear up again. Wanda is “hated and feared” now (as Marvel mutants frequently are), and rightly so. This isn’t necessarily a terminal state–we know that prior to the pandemic, Doctor Strange in the Multiverse of Madness was to immediately follow the events of WandaVision–but it’s a character arc that culminates her biggest beats thus far, from Sokovia, to Lagos, to Wakanda.
Episode 8 of WandaVision was the explainer episode and the emotional payoff. “But what is grief, if not love persevering” could be the tagline for the series. It was sad, beautifully executed, and I loved it. I’ve been enjoying this show on two separate levels: the story it set out to tell, and the world- and mythos-building it offers the greater Marvel Cinematic Universe. I’ve mostly blogged about the latter, but it’s worth mentioning the former. WandaVision is a really good story.
But I still want to dissect the mythos. I have questions. Questions that may not be answered in next week’s final episode.
SPOILERS for WandaVision through Episode 7, because I want to get some wild-ass theorizing out there before all is revealed.
In the Marvel Cinematic Universe, movies like Thor and Doctor Strange established magic as a technology born of a more advanced science, a means of tapping into primordial cosmic forces. The Infinity Stones, created along with the universe by the Big Bang, are powerful sources of these energies. But possessing an Infinity Stone is not the only way to access a portion of its power. Wanda and Pietro Maximoff were given powers by Baron Strucker, experimenting with the Mind Stone. Carol Danvers got her powers from an explosion of an engine powered by the Space Stone. Some mortals in the MCU seem less accidental about tapping into these forces.
Have you ever noticed that the stories of the Marvel heroines, from Jessica Jones, to Captain Marvel, to Wanda Maximoff, are about overcoming gaslighting? I wonder if Black Widow’s solo story will follow suit, with the other assassins of the Red Room. Anyway…
WandaVision episode 7 absolved our heroine of wrongdoing with the catchiest earworm of revelations: it’s been “Agatha All Along.” While this was presented as a big reveal, was it really? There was a certain joy in the confirmation–sold entirely by Kathryn Hahn’s gleefully wicked performance. But even casual readers of Scarlet Witch comics knew that Agatha Harkness was the likely identity of “Aunty Agnes.” In the comics, Agatha was more ally and mentor than adversary, and the only time she really went against Wanda was when she removed Wanda’s memory of her “children”–who weren’t really her children at all. Ooh, now that sounds like a clue. Regardless, there are now witches in the Marvel Cinematic Universe.
SPOILERS for WandaVision, through Episode 6, HBO’s Game of Thrones final season, and Season 1 of FX’s Legion, below. And speculation on the real Big Bad.
WandaVision is one of those shows that knows its audience. The show doesn’t take pains to explain the history of the Marvel Universe–we either know it already or will use our Disney+ subscription to catch up. It serves up slow-burning mystery, and it knows that its viewership includes detectives bringing to bear decades of comic book and movie scholarship. It selects an engaged audience.
So in addition to telling a story that fits solidly in the Marvel Cinematic Universe, it gives us a categorization game: Easter Egg, Foreshadowing, or Red Herring?
SPOILERS for the Marvel Studios universe up through WandaVision Episode 5, and speculation beyond.
The Joy of a Slow Watch
I’ve been starved for new live-action Marvel Studios programming taking place in the Marvel Cinematic Universe. In the parallel quantum universe without the coronavirus pandemic, I would have already seen Black Widow, Eternals, and Shang-Chi by now. Instead, I get 30 minutes every Friday of WandaVision.
And I love it.
In an era where so much is available online, and entire seasons are released to be binge-watched, I love having to wait. Each episode, questions are answered but deeper questions are uncovered. And I have a week to speculate on the answers. This might be the most enjoyable thing about being in a slow-release fandom, and the reason why many of us loathe spoilers. We are forced to engage with open questions in a story with only our own imaginations and that of our friends. We become active participants in the storytelling process, not just passive consumers. Being a fan of a shared universe becomes an intellectual exercise, where there is a potential thrill both in having guessed right and in being surprised.
The end of WandaVision episode 5 took it to a new level.